舞魅天下第六季美丽如你—Billy Bell分集剧情
不期而遇带着海风和贝壳的质地此时此地，美丽如你——BillyBell---------------------------------华丽丽的分割线---------------------------------看到有人说恐怖片很励志，恕我对这种标新立异的讲法不能苟同。我依然很庸俗的认为真正励志的是真人秀。盛大，真实，野心勃勃。最近在看SOUTHINKUCANDANCE6。忽略了眼泪、自白和评委的尖叫，我只爱那些身体舞动的美好时刻，无论是当下最能抓住眼球HIP-POP，还是充满风情的JAZZ，抑或是最直击心灵的CONTEMPORARY，每一段SOLO都仿佛让我重新找到童年时代丢失的珍宝，满心都是流淌的感动与飞翔般的幸福。最爱的是BillyBell，那段让我难以呼吸的SOLO。我听得到Tobuildahome行云流水的钢琴乐和回旋反复的吟唱。而他，像从天空倾泻而下的流水和白色的飞鸟，宛如刚刚在舞台上诞生的孩子，只是恣肆地舞，完全不知道自己的好。19岁的年纪，仅仅5年的舞蹈生涯，Juilliard的学生，无论是批评，伤病，或者是赞赏，都不能改变他一如既往的腼腆、谦逊有教养，在他身上丝毫看不到刻意炫技的成分和选秀节目中常见的极端反应，而他又才华横溢得能够让每次评委大叔和评委大妈们脸上都挂满爱怜的笑容，怎么能让我不喜欢呢。而因病退赛的结果更是让我震惊且期待，期待第七季里他的每一个笑脸，每一个动作，每一句带笑出来话，腼腆，谦逊而不做作。总之，有梦想的人是好的，有才华的人是好的，低调的人是好的，以梦想为名用才华和汗水低调地战斗着的人也是好的，所以咱的小Billy是最好的：）P.S原谅我先为自己浅薄的遣词造句汗一把。。。转一篇在外文博客上看到的文，博主应该是舞蹈评论的业内人士，在这里致以谢意，应该是在Billy休赛以后，给喜欢和期待Billy的人们INTERVIEWSWITHSONYATAYEHANDBILLYBELLDecember10,2009Okay,herearetheinterviewsIdidwithSonyaTayehandBillyBelllastweekattheDeMaDanceCompanyrehearsal.(BellandTayeharemostknownfortheirworkonSoYouThinkYouCanDance,ifyoudon’tknow-Bellwasontheshowbrieflyatthebeginningoftheseasonandhadtowithdrawduetoillness,andTayehisachoreographer).Ispokewiththemveryquickly,duringtheirtinylunchbreak,andIsharedtheinterviewwithawriterfromDanceSpiritmagazine.Itwashardtogeteverythingdown(especiallywithBilly,whoisafasttalker!)andremembertheotherwriter’squestions,etc.(Iintendtogetaflipcameraforthefuture).Anyway,it’shardtoputthisinaquestion/answerformat,soI’mjustgoingtosummarizeandparaphrasewhattheyeachsaid.Billywassosweetlyenthusiasticandexcitedabouthislife.Somuchfuntotalkto!Firstthingsfirst-SYTYCD,sincethat’showmostpeopleknowhim.Hesaidhedefinitelyplanstoreturntotheshownextseason.Theproducerstoldhimhe’llbeautomaticallyadvancedtothetop100-sohe’llstartoutattheVegasauditionsandgofromthere.HehadtoleavetheshowatthebeginningofthisseasonafterbeingdiagnosedwithMononucleosis.Theproblemwasn’tthathewascontagiousanylongerbythetimehewasdiagnosed,butthattheillnesshadsignificantlyenlargedhisspleen,andheevenhadtobehospitalized.Doctorstoldhimifhemovedtoomuchwithhisspleensoenlarged,hecouldhaveruptureditanddied.Itwouldlikelytakeafewmonthsforthespleentoreturntonormalsize,theysaid,whichiswhyhehadtoleavetheshowatthatpoint.Now,it’snearlybacktonormalthoughit’sstillaslightbitenlarged.“That’swhyIwasn’treallydancingfull-out,”hesaidwithalittlelaugh,referringtotherehearsalwe’djustseen.DanceSpiritwomanandInearlyfelloffthecouchatthis.“Ifthatwasn’tfullout,Ican’timaginewhatyounormallylooklike!”shesaid.AndIagreed.Heseemedcompletelyhealedtome,tomakeamassiveunderstatement.Iaskedhimhowhegotstartedindance.Hesaidhestartedlate,inhighschool,andheactuallybeganwithHipHop.Hislackofearlytrainingdidn’tmatterforthatdancebecause,unlikeballetforexample,themovementisn’tcodified.ButhesoonbecameinterestedinJazz,forwhichheneededballettraining.Heinitiallylearnedbymimickingmovement,buthesoonenrolledintheballetacademyatBalletFloridaand,inordertomakeupforlosttime,reallythrewhimselfintoit,movingveryclosetothestudioandtakingseveralhoursofdanceperday,alongwithhisotherstudies.Afterawhileofballet,hebecameinterestedintap,andsobegantraininginthattoo.He’sinterestedinmultipledanceformsbutconsidershismainstyletobecontemporaryballet.Iaskedhimwhohisfavoritedancerswereorifhehadanyparticularheroesorsourcesofinspiration.HeimmediatelynamedAndreaMiller,choreographeranddirectorofGallimDance,whomhecalledhis“personalmentor.”He’sworkedwithherbefore-whenhewas18,hisfirstproexperience—andheperformedherworkattheJoyceSoHo.Helovesherapproachtomovementandhowsheteaches:shewantsyoutoexperiencethemovementinyourbody,hesaid;it’snotjustaboutthepositions,butabouthowthemovementmakesyoufeel.He’sexcitedtobeabletoworkwithheragainatJuilliard;she’stosetapiecetheresoon.Iaskedhimwhatotherchoreographersorcompanieshe’dliketoworkwith.InadditiontoGallim,henamedWilliamForsytheandOhadNaharin’sBatsheva.Hefindsinthis“dancetheater”anoutersimplicityandyetsomuchcomplexitybehindit.“What’sgoingoninsideyou-(withGallimandNaharin’sGagatraining)-issimpleandyetsocomplex.”HewouldalsolovetodosomePaulTaylor,MerceCunningham,JoseLimon,JeromeRobbins,tonameafew.Buthisbiggestpassion:choreographing.Hewantstodancewhilehe’syoungbuteventuallyhisgoalistocreatedances.Hesaidwithalaughthatheloves“destroyingballet”-kindofbendingthoserodsballetdancersseemtoholduptheirspinesandfreeingthemup,allowingthemtogobackandforthbetweendifferentkindsofmovement.Helovesbeingabletoworkwithdancersandbringcertainthingsoutinthem.Hestrivestomovepeopleemotionally,tomovetheaudience,heloveshavingthatpower.Hechoreographedhisfirstpiece—15minuteslong—atDreyfoos,hishighschoolbackinFlorida.ItwasperformedthereatashowinJanuary.Butthat’sinthefuture.Inthemeantime,he’sfinishingupatJuilliard(he’sabouthalfwaythroughhisBFA;hasanothercoupleyearstogo),hehastheSYTYCDVegasauditionscomingupnextseason,he’sparticipatinginachoreographiccompetitionthattravelsthroughouttheStates,andhejustbecameaprincipaldanceratDeMathismonth.DespinaSimegiatos,oneoftheartisticdirectorsofDeMa,saysbackwhenshewaslookingforstrongmaledancersforherfledglingcompany,shefoundhimonYouTube,throughsomevideoshe’dposted,andreallyfellforhim.Hehadn’tyetgoneonSYTYCD.He’sexcitedaboutworkingwithDeMabecauseit’sacompanythatseekstofusethecreativewiththecommercial.Companiesarewhereartistscanfocusontheircreativework,butcommercialworkiswhatpaysthebills.Inanidealworldthesewouldbefused,butintheU.S.theyrarelyare,hesaid.Heseekstobeabletotransitionbackandforthbetweenthetwo.He’sexcitedaboutworkingwithSonyabecausehewasjustabouttoworkwithherbeforehehadtoleavetheshow.AcoupleofotherJuilliardstudentsarealsodancingwithDeMa,whichmakesthecompanyfeelhomeytohim.Hesweetlysaidheconsidershimselftheluckiestpersonintheworldthathegetstodowhathelovesandgetpaidforit.
